The Nazis- opinion

*** I am not certain of the date of this astonishing poster, although I am quite sure it is from the 1930’s. This poster makes the most direct Christological comparison I’ve seen. Just as a dove descended on Christ when he was baptised by John the Baptist, so what looks to be an eagle hovers against the light of heaven over an idealized Hitler. The text: “Long live Germany!.” Courtesy of Dr. Robert D. Brooks ***

*** This poster promotes Hitler’s 1936 referendum. Since it quotes SchwabianGauleiter Karl Wahl, I assume it comes from his area. Hitler is quoted as saying: “I ask the German people to strengthen my faith and to lend me its strength so that I will always and everywhere have the strength to fight for its honor and freedom, to work for its economic prosperity, and particularly to strenthen me in my struggles for genuine peace.” Karl Wahl says: “German women and men, it is in your own interest to fulfill the Führer’s request and vote on 29 March 1936. Be loyal to him who is loyal!” Courtesy of Dr. Robert D. Brooks ***

*** This one is intended for Flemish speaking Belgians, urging them to join the SS Langemarck Division. The caption in red says: “Our answer: Pick up your arms and fight!” The soldiers are attacking England, personified by a Jew with the Union Jack ***

Phone box decline.

Since 2002 BT has removed 31,000 kiosks around the

 UK.

Design History Of The Phone Box-Place

*** The first standard public telephone kiosk introduced by the United Kingdom Post Office was produced in concrete in 1920 and was designated K1 (Kiosk No.1). This design was not of the same family as the familiar red telephone boxes. Very few remarkable examples remain. One shining example is located in Trinity market in Kingston-upon-Hull where it is still in use today.

The red telephone box was the result of a competition in 1924 to design a kiosk that would be acceptable to the London Metropolitan Boroughs which had hitherto resisted the Post Office's effort to erect K1 kiosks on their streets.

The Royal Fine Art Commission was instrumental in the choice of the British standard kiosk. Because of widespread dissatisfaction with the GPO's design, the Metropolitan Boroughs Joint Standing Committee organised a competition for a superior one in 1923, but the results were disappointing. The Birmingham Civic Society then produced a design of its own — in reinforced concrete — but it was informed by the Director of Telephones that the design produced by the Office of the Engineer-in-Chief was preferred; as the Architects’ Journal commented, 'no one with any knowledge of design could feel anything but indignation with the pattern that seems to satisfy the official mind.' The Birmingham Civic Society did not give up and, with additional pressure from the Royal Institute of British Architects, the Town Planning Institute and the Royal Academy, the Postmaster General was forced to think again; and the result was that the RFAC organised a limited competition.

The organisers invited entries from three respected architects and, along with the designs from the Post Office and from The Birmingham Civic Society, the Fine Arts Commission judged the competition and selected the design submitted by Giles Gilbert Scott. The invitation had come at the time when Scott had been made a trustee of Sir John Soane's Museum — his design for the competition was in the classical style, but topped with a dome reminiscent of Soane's self-designed mausoleums in St Pancreas' Old Churchyard and Dulwich Picture Gallery, London. (The original wooden prototypes of the entries were later put into public service at under-cover sites around London. That of Scott's design is the only one known to survive and is still where it was placed all those years ago, in the entrance arch to the Royal Academy.)

The Post Office chose to make Scott's winning design in cast iron (Scott had suggested mild steel) and to paint it red (Scott had suggested silver, with a "greeny-blue" interior) and, with other minor changes of detail, it was brought into service as the Kiosk No.2 or K2. From 1926 K2 was deployed in and around London and the K1 continued to be erected elsewhere.

K3, introduced in 1929, again by Gilbert Scott was similar to K2 but was constructed from concrete and intended for nationwide use. Cheaper than the K2, it was still significantly more costly than the K1 and so that remained the choice for low-revenue sites. The standard colour scheme for both the K1 and the K3 was cream, with red glazing bars. A rare surviving K3 kiosk can be seen beside in the Penguin Beach exhibit at ZSL London Zoo, where it has been protected from the weather by the projecting eaves and recently restored to its original colour scheme,

K4 (designed by the Post Office Engineering Department in 1927) incorporated a post box and machines for buying postage stamps on the exterior. Only 50 kiosks of this design were built.

K5 was a plywood construction introduced in 1934 and designed to be assembled and dismantled and used at exhibitions ***

The Phone Box- Place

** A telephone booth, telephone kiosk, telephone call box or telephone box is a small structure furnished with a payphone and designed for a telephone user's convenience. In the USA, Canada and Australia, "telephone booth" is used, while in the UK and the rest of the Commonwealth it is a "telephone box" or "phone-box". Such a booth usually has a door to provide privacy and a window to let others know if the booth is in use. The booth may be furnished with a printed directory of local telephone numbers, and a booth in a formal setting such as a hotel may be furnished with paper and pen and even a seat. An outdoor booth may be made of metal and plastic to withstand the elements and heavy use, while an indoor booth (once known as a silence cabinet) may have more elaborate architecture and furnishings. Most outdoor booths feature the name and logo of the telephone service provider

Starting in the 1970s pay telephones were less and less commonly placed in booths in the United States. In many areas where they were once common, telephone booths have now been almost completely replaced by non-enclosed pay phones. In the United States, this replacement was caused, at least in part, by an attempt to make the pay telephones more accessible to the handicapped. However, in the United Kingdom phones remained in booths more often than the non-enclosed set up. Although still fairly common, the number of phone boxes has declined sharply in Britain since the late 1990s due to the boom of mobile phones.

Many locations that provide pay phones mount the phones on kiosks rather than in booths — this relative lack of privacy and comfort discourages lengthy calls in high-demand areas such as airports.

Special equipment installed in some telephone booths allows a caller to use a computer, a portable fax machine, or a telecommunications device for the deaf.

However, in 2004, Jordan became the first country in the world not to have telephone booths generally available. The cellular phone penetration in that country is so high that telephone booths have practically not been used at all for years. The two private payphone service companies, namely ALO and JPP, closed down and currently there's no payphone service to speak of.

Since many telephone boxes tend to be at the roadside and already have electricity supplies, a trial is to take place in the Spanish capital, Madrid, to convert 30 former telephone boxes into charging points for electric cars.***

Morse Code- Video

Morse Code- Objects

*** Beginning in 1836, the American artist Samuel F. B. Morse, the American physicist Joseph Henry, and Alfred Vail developed an electrical telegraph system. This system sent pulses of electric current along wires which controlled an electromagnet that was located at the receiving end of the telegraph system.

In 1837, William Cooke and Charles Wheatstone in England began using an electrical telegraph that also used electromagnets in its receivers. However, in contrast with any system of making sounds of clicks, their system used pointing needles that rotated above alphabetical charts to indicate the letters that were being sent. Cooke and Wheatstone in 1841 built a telegraph that printed the letters from a wheel of typefaces struck by a hammer. This machine was based on their 1840 telegraph and worked well; however, they failed to find customers for this system and only two examples were ever built.

On the other hand, the three Americans' system for telegraphy, which was first used in about 1844, was designed to make indentations on a paper tape when electric currents were received. Morse's original telegraph receiver used a mechanical clockwork to move a paper tape. When an electrical current was received, an electromagnet engaged an armature that pushed a stylus onto the moving paper tape, making an indentation on the tape. When the current was interrupted, the electromagnet retracted the stylus, and that portion of the moving tape remained unmarked.

The Morse code was developed so that operators could translate the indentations marked on the paper tape into text messages. In his earliest code, Morse had planned to only transmit numerals, and use a dictionary to look up each word according to the number which had been sent. However, the code was soon expanded by Alfred Vail to include letters and special characters, so it could be used more generally. Vail determined the frequency of use of letters in the English language by counting the movable type he found in the type-cases of a local newspaper in Morristown The shorter marks were called "dots", and the longer ones "dashes", and the letters most commonly used were assigned the shorter sequences of dots and dashes ***

Cassettte video

Cassette's-object

*** In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder (in German: Tonbandgerät), with the commercial name "Magnetophon", based on the invention of the magnetic tape (1928) by Fritz Pfleumer, which used similar technology but with open reels (for which the tape was manufactured by BASF). These instruments were still very expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations and recording studios. For private use the (reel to reel) tape recorder was not very common and only slowly took off from about the 1950s; with prices between 700 and 1500 DM (which would now be about 1600 to 3400 such machines were still far too expensive for the mass market and their vacuum tube construction made them very bulky. In the early 1960s, however, the weights and the prices dropped when vacuum tubes were replaced by transistors. Reel-to-reel tape recorders then became more common in household use, though never but a small fraction of the number of homes using long playing record disc players.

In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, reel-to-reel RCA tape cartridge. It was a cassette, big (5" x 7"), but offered few pre-recorded tapes; despite multiple versions, it failed.

In 1962 Philips invented the compact audio cassette medium for audio storage, introducing it in Europe in August 1963 (at the Berlin Radio Show), and in the United States (under the Norelco brand) in November 1964, with the trademark name Compact Cassette.

Although there were other magnetic tape cartridge systems, the Compact Cassette became dominant as a result of Philips' decision in the face of pressure from Sony to license the format free of charge. Philips also released the Norelco Carry-Corder 150 recorder/player in the U.S. in November 1964. By 1966 over 250,000 recorders had been sold in the US alone and Japan soon became the major source of recorders. By 1968, 85 manufacturers had sold over 2.4 million players

In the early years, sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape and kept improving The Compact Cassette went on to become a popular (and re-recordable) alternative to the 12 inch vinyl LP during the late 1970s.

In many Western countries, the market for cassettes has declined sharply since its peak in the late 1980s. This has been noticeable particularly with pre-recorded cassettes, whose sales were overtaken by those of Compact Discs during the early 1990s. By 1993, annual shipments of CD players had reached 5 million, up 21% from the year before, while cassette player shipments had dropped 7% to approximately 3.4 million ***

The Phonograph- objects

*** The phonograph (sound writer), record player, or gramophone (letter + sound) is a device introduced in 1877 that continued common use until the 1980s for reproducing (playing) sound recordings, although when first developed, the phonograph was used to both record and reproduce sounds. The recordings played on such a device generally consist of wavy lines that are either scratched, engraved, or grooved onto a rotating cylinder or disc. As the cylinder or disc rotates, a needle or other similar object on the device traces the wavy lines and vibrates, reproducing sound waves.

The phonograph was invented in 1877 by Thomas Alva Edison at his laboratory in Menlo Park, New Jersey, USA. On February 19, 1878, Edison was issued the first patent (U.S. patent #200,521) for the phonograph. While other inventors had produced devices that could record sounds, Edison's phonograph was the first to be able to reproduce the recorded sound. (In announcing the demonstration, Scientific American noted that the non-reproducing devices that preceded Edison's had been built by Marey and Rosapelly, Édouard-Léon Scott de Martinville and Barlow.) Although Edison began experimenting on the Phonograph using wax coated paper as a recording medium, this first Phonograph recorded sound onto a tinfoil sheet phonograph cylinder. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" pattern across the record. Then at the turn of the century, Emile Berliner initiated the transition from phonograph cylinders to gramophone records: flat, double-sided discs with a spiral groove running from the periphery to near the center. Other improvements were made throughout the years, including modifications to the turntable and its drive system, the needle and stylus, and the sound and equalization systems.

The gramophone record was one of the dominant audio recording formats throughout much of the 20th Century. However, that status was eventually replaced by the compact disc and other digital recording formats ***

Film Cameras-object

*** The forerunner to the camera was the camera obscura.[1] It was a dark chamber (in Latin, a camera obscura, demonstrating the etymology), "consist[ing] of a darkened chamber or box, into which light is admitted through a pinhole (later a convex lens), forming an image of external objects on a surface of paper or glass, etc., placed at the focus of the lens".In the 6th century, Greek mathematician and architect Anthemius of Tralles used a type of camera obscura in his experimentsThe camera obscura was described by the Arabic scientist Ibn al-Haytham (Alhazen) in his Book of Optics (1015–1021). Scientist-monk Roger Bacon also studied the matter The actual name of camera obscura was applied by mathematician and astronomer Johannes Kepler in his Ad Vitellionem paralipomena of 1604. He later added a lens and made the apparatus transportable, in the form of a tent Irish scientist Robert Boyle and his assistant Robert Hooke developed a portable camera obscura in the 1660s

The first camera obscura that was small and portable enough for practical use was built by Johann Zahn in 1685. At this time there was no way to preserve the images produced by these cameras apart from manually tracing them. However, in 1724, Johann Heinrich Schultz discovered that a silver and chalk mixture darkens under exposure to light. Early photography built on these discoveries and developments. The early photographic cameras were essentially similar to Zahn's camera obscura, though usually with the addition of sliding boxes for focusing. Before each exposure, a sensitized plate would be inserted in front of the viewing screen to record the image. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce using a sliding wooden box camera made by Charles and Vincent Chevalier in Paris and building on Johann Heinrich Schultz's discovery about silver and chalk mixtures darkening when exposed to light. Jacques Daguerre's popular daguerreotype process utilized copper plates, while the calotype process invented by William Fox Talbot recorded images on paper.

The development of the collodion wet plate process by Frederick Scott Archer in 1850 cut exposure times dramatically, but required photographers to prepare and develop their glass plates on the spot, usually in a mobile darkroom. Despite their complexity, the wet-plate ambrotype and tintype processes were in widespread use in the latter half of the 19th century. Wet plate cameras were little different from previous designs, though there were some models, such as the sophisticated Dubroni of 1864, where the sensitizing and developing of the plates could be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread.

The first color photograph was made by Scottish physicist James Clerk Maxwell, with the help of English inventor and photographer Thomas Sutton, in 1861

The electronic video camera tube was invented in the 1920s, starting a line of development that eventually resulted in digital cameras, which largely supplanted film cameras after the turn of the 21st century

A wide range of film and plate formats has been used by cameras. In the early history plate sizes were often specific for the make and model of camera although there quickly developed some standardisation for the more popular cameras. The introduction of roll film drove the standardisation process still further so that by the 1950s only a few standard roll films were in use. These included 120 film providing 8, 12 or 16 exposures, 220 film providing 16 or 24 exposures, 127 film providing 8 exposures (principally in Brownie cameras) and 35 mm film providing 12, 20 or 36 exposures – or up to 72 exposures in bulk cassettes for the Leica Camera range.

For cine cameras, 35 mm film was the original film format but 16 mm film soon followed, produced by cutting 35 mm in two. An early amateur format was 9.5 mm. Later formats included 8 mm film and Super 8

The introduction of films enabled the existing designs for plate cameras to be made much smaller and for the base-plate to be hinged so that it could be folded up compressing the bellows. These designs were very compact and small models were dubbed Vest pocket cameras ***

Obsolete Quill Video

The Quill-Object

*** A quill pen is a writing implement made from a flight feather (preferably a primary wing-feather) of a large bird. Quills were used for writing with ink before the invention of the dip pen, metal-nibbed pens, the fountain pen, and, eventually, the ballpoint pen. The hand-cut goose quill is still used as a calligraphy tool, however rarely because many papers are derived from wood pulp and wear down the quill very quickly. Nevertheless, it is still the tool of choice for a few professionals and provides a sharp stroke as well as greater flexibility than a steel pen. The hollow shaft of the feather (the calamus) acts as an ink reservoir and ink flows to the tip by capillary action.

The strongest quills come from the primary flight feathers discarded by birds during their annual moult. Generally the left wing is favored by the right-handed majority of writers because the feathers curve out to the right, away from the hand holding the pen, but because of the current scarcity of substantial quills this is usually overlooked as the curvature is not actually so pronounced as to cause any difficulty to the professional.

Goose feathers are most commonly used; scarcer, more expensive swan feathers are considered premium. Depending on availability and strength of the feather, as well as quality/characteristic of the line wanted by the writer, other feathers used for quill-pen making include feathers from the crow, eagle, owl, hawk, and turkey. The barbs are always stripped off partially or completely as they are an impractical distraction. The fancy, fully plumed quill is mostly a Hollywood invention and has little basis in reality. Most, if not all, manuscript illustrations of scribes show a quill devoid of decorative barbs, or at least mostly stripped

Quills were the principal writing instrument from the 6th to the 19th century, the best of which were usually made from goose and swan feathers, and later, turkey feathers, However, quills went into decline after the invention of the metal pen, first patented in America in 1810 and then mass produced by 1860.

According to the Supreme Court Historical Society, 20 goose-quill pens, neatly crossed, are placed at the four counsel tables each day the U.S. Supreme Court is in session; "most lawyers appear before the Court only once, and gladly take the quills home as souvenirs."[ This has been done since the earliest sessions of the Court.

Quills are denominated from the order in which they are fixed in the wing, the first called the pinion is that favoured by the expert calligrapher, the second and third quills being very satisfactory also. No other feather on the wing would be considered suitable by a professional scribe

"In order to harden a quill that is soft, thrust the barrel into hot ashes, stirring it till it is soft; then taking it out, press it almost flat upon your knees with the back of a penknife, and afterwards reduce it to a roundness with your fingers. If you have a number to harden, set water and alum over the fire; and while it is boiling put in a handful of quills, the barrels only, for a minute, and then lay them by."

A quill knife was the original primary tool used for cutting and sharpening quills, known as 'dressing'.

Following the decline of the quill in the 1820s, following the introduction of the maintenance-free, steel dip nib, knives were still manufactured but became known as desk knives, stationery knives or latterly as the name stuck 'pen' knives. There is a small but significant difference between a pen knife and a quill knife, in that the quill knife has a blade that is flat on one side and convex on the other, which facilitates the round cuts required to shape a quill.A 'pen' knife by contrast has two flat sides. This distinction is not recognised by modern traders, dealers or collectors who define a quill knife as any small knife with a fixed or hinged blade, including such items as ornamental fruit knives ***

Obsolete-Definaition

*** The Definition ***

 -No longer in use

 -Outmoded in design, style, or construction

 -Biology Vestigial or imperfectly developed, especially in comparison with other individuals or related species; not clearly marked or seen; indistinct. Used of an organ or other part of an animal or plant

The Idea Behind My Research

*** For this research brief i have decided to come up with a common link between my chosen object,place,activity,opinion and concept. This common link is to focus on things that were once good/useful and that are now obsolete due to technological or social advances, for example the floppy disk. This research will be based around things that are good at being obsolete ***